Blackfish is a documentary
directed and produced by Gabriela Cowperthwaite that follows the story of
Tilikum, Sea World’s orca, who was involved in the deaths of 3 people. It highlights
the cruelty that orcas face in captivity and the dangers that it puts the people
that work with them in. This is done through interviews and video clips that
appeal to ethos, logos, and pathos; relying heavily on pathos.
This documentary was prompted by
the harmful effects of orcas being held in captivity, both for the whales and
for the trainers. Cowperthwaite was initially inspired to create the film when
she read this article.
The intended audience for this film
is the general public, and anyone who may support Sea World by visiting the
park. It was successful in reaching this audience, as after the documentary
came out, the number of visitors to Sea World drastically fell.
The claim of the film is that
keeping orca whales in captivity can be harmful to both the whales and the
trainers. This claim is supported through the use of ethos, logos, and
especially pathos.
Ethos is established by interviewing
former Sea World trainers. These trainers add credibility to the film because
they had first-hand experience with the orcas and how things are run at Sea
World. They know arguably better than anyone what the living conditions of the
orcas were and what affect this had on them. The film also interviewed several whale
researchers who are experts on orcas. These researchers establish authority for
the film because they can give a scientific perspective of the effects on the
orca whales in captivity.
There were a few facts and
statistics that added logos to the film. For example, the documentary shows
many clips of Sea World workers saying that orcas live only 25-35 years in the
wild, and much longer in captivity. Howard Garret, an orca researcher, states
that this is false and that orcas live equivalent to human lifespans in the
wild. This fact that orcas actually live longer in the wild creates a logical
argument that strengthens the claim that captivity is harmful for orcas. The
contradictory fact that Sea World gives portrays them as untrustworthy and
harms their credibility. Another fact they give is about dorsal fin collapse.
According to Jeff Ventre, “Dorsal collapse happens in less than 1% of wild
killer whales; we know this. All the captive whales, 100%, have collapsed
dorsal fins.” This fact again helps to strengthen
their claim by adding logical appeal.
The appeal that is used the most by
far in the film is pathos. Throughout the entire documentary Blackfish appeals
to viewers’ emotions through heartfelt interviews, tragic stories, and shocking
scenes. The trainers firsthand accounts appeal to people’s sense of empathy though
the amount of emotion they convey. One of the most emotional interviews was with
John Crowe, a man who captured orcas. Crowe, a very masculine old man with
tattoos and a long beard, gets emotional as he talks about his experience
capturing a baby orca. He compares it to “kidnapping a little kid away from a
mother.” Seeing such manly guy talk about crying over a whale definitely appeals
to pathos and invokes sadness in the audience. There are several stories of
people being harmed or killed by orcas held in captivity. These events are made
to seem even more tragic by adding moving music, shocking clips, and people
crying or getting emotional. Some of the most powerful clips include a mother
orca crying after its baby was taken away, a whale bleeding out in the water
after being attacked by another whale, and a girl being dragged into the water
by an orca and coming out with a U shaped arm. All of these clips incite
sadness and even anger in the audience which makes them more likely to believe
the claim.
The documentary is told through
interviews with several people who have experience with or who are knowledgeable
about orcas and incidents that happened with them. This includes former Sea World
trainers, whale researchers, and people who knew the victims of orca
aggression.
Overall, I think Blackfish does a
successful job of depicting the capture and containment of orcas as cruel and
harmful. The amount of emotional appeal works to persuade the audience, and
myself, to boycott Sea World until changes are made. Because the documentary
establishes credibility, employs logical arguments, and thoroughly tugs at the
audience’s heartstrings, I am giving it a 5 out of 5 nacho rating.
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